An Analysis Of Medea And Antigone Essay - 1419 Words

The Vileness of Revenge Death is a certainty for any living human being unless a person believes in preserving their brain cryogenically, but despite what you believe, death is going to come either tragically, horribly or peacefully. Now, imagine death coming at the hand of the one who held you close when you were born and shed uncontrollable tears, the one who promised never to let you go come what may, the one who swore to give their life for you if need be, or the one who feels every emotion that you go through even without being told. In Euripides Medea, the main character is a serial villain who commits a lot of atrocious acts to exert revenge on her ex-husband due to his humiliation and oppression of her. The villain in a play is described as â€Å"The chief evil character in a drama or story. Usually, the villain is the antagonist to the hero but sometimes is the protagonist or chief character† (Quinn, 2016). Medea, the main character of the drama Medea, is not your ty pical protagonist or hero. She is, in fact, the villain of the drama. Harry Keyishian’s â€Å"Shapes of Revenge† explains how vindictive trends can emerge in a character constitutionally devoted to affirmative goals (81). Medea’s vindictive trends emerge due to her desire for revenge on her husband for his humiliation and oppression of her. She was the children’s mother and one would think her maternal instincts would kick in and stop her on the part of the destruction. Due to the anger she felt over beingShow MoreRelatedThe Tragic Women Of Tragedy985 Words   |  4 Pagesfrequently characterize women as unstable and dangerous. Agave, Antigone, and Medea are all undoubtedly the driving force behind the tragic action in these plays. It is their choices that lead to the pain and death of the people around them. Through an examination of the evidence from three separate works, Antigone, The Bacchae, and The Medea, the role of women in ancient Greek tragedy becomes clear. The actions of Agave, Antigone, and Medea repeatedly prove their characters instability and danger. AgaveRead More Comedic Violence in The Medea, The Oresteia, and Antigone Essay2353 Words   |  10 PagesComedic Violence in The Medea, The Oresteia, and Antigone      Ã‚  Ã‚   Almost no Greek tragedy escapes the use of violence. The Medea, The Oresteia, Antigone, and other classic works of Grecian tragoidia all involve huge components of violence in many prominent places, and for all of these stories, violent action is an integral part of the play. Medea, especially, is a character worthy of note in this regard; her tumultuous life can be plotted accurately along a path of aggression and passionate fitsRead MoreHumanities Test4641 Words   |  19 PagesShakespeares Falstaff questions the value of: honor 1.   ( T or F ) Aristotle considered plot more important than character or thought. True 2.   ( T or F ) Aristotle was both a theater critic and a philosopher. True 3.   Aristotles famous analysis of tragedy is found in a work called: The Poetics 4.   Aristotles work on comedy is how long? 5 acts long 5. What did the Commedia dellearte specialize in? 6.   What is satire? a literary genre or form, although in practice it is also foundRead MoreAnalysis Of Snow s Midsummer By Guan Hanqing1629 Words   |  7 PagesMichel de Polignac ANALYSIS PAPER 1: Retributive justice is a very common element found not only in literature but in almost all text that tries to evoke moral values. A nemetic ending is often used to provide the reader or spectator the satisfaction of seeing the hero be rewarded for his or her virtuous actions. Alternatively, the evil or malicious characters are usually punished thanks to the hero s actions and thus brings a somewhat â€Å"happy ending† to the conflict. Many authors and playwrights